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The tale is enriched by myriad references to sorcery and other mystical undercurrents, the most resonant being an alleged curse on Ignacio’s distinctively crafted accordion. A drawn-out sequence in which Ignacio decides to break his vow, as he’s lured into a battle of escalating one-upmanship with an arrogant accordionist, proves enormously satisfying, and the story takes a believably harrowing turn when Ignacio is robbed and it falls to Fermin to recover the stolen instrument. Yet despite the absence of conventional payoffs, drama and suspense are hardly in short supply. The scribe never tries to force a bond between the two characters nor does he take the easy route of supplying Fermin with latent musical abilities. Guerra’s script has its share of familiar elements - Fermin, no surprise, is in need of a father figure - but its most remarkable quality may be its fundamental honesty. Though he’s too taciturn and withdrawn to be openly hostile toward his fellow traveler, Ignacio makes it amply clear that Fermin’s presence is unwelcome. Tagging along for the trip is rootless, restless teen Fermin Morales ( Yull Nunez), who longs to apprentice himself to Ignacio and learn to play the accordion - and later, the drum, though he demonstrates little talent for either instrument. Now in his twilight years and still mourning his wife’s recent death, Ignacio vows never to play the accordion again, and sets out on his donkey to return the instrument to his mentor in northern Colombia. Ignacio Carrillo ( Marciano Martinez) has spent most of his life as a juglar, or minstrel. Electric and climactic, the sequence is one of many exhilarating moments in The Wind Journeys. The music becomes more and more intense, and the back-and-forth drama continues until one musician is forced to submit. The players are composing on the spot, making up verse as they go along and trying to out-rhyme one another. A highlight of the film, the accordion duel is so dramatic and unexpected that it simply has to be experienced. Through this out-of-the-ordinary pair, Guerra creates an evocative homage to the charms of his home country and the music of its celebrated accordion players.Īlthough Ignacio vows never to play the instrument again, he eventually relents during a dramatic duel of song and verse in one of the villages he and Fermín pass through on their journey. He is followed by young Fermín (Yull Núñez), who is determined to become Ignacio’s apprentice, despite Ignacio’s obvious lack of interest. Deeply depressed, he embarks on a quest through Colombia’s northern terrain to return his accordion to its rightful owner, his mentor. The film tells the story of an accordion player, Ignacio Carrillo (Marciano Martínez), who has just experienced the sudden and traumatic death of his wife. Colombia’s diverse and magnificent landscapes play a central role in Ciro Guerra’s second feature film, The Wind Journeys.